is in dire need of a playwright who can write a good farce, and Hollinger is off to a flying start. Susie Leiser’s disarming straight-talk and comedic timing. Dell Domnik’s dry delivery and caustic wit. Webster’s blinding grin and devious eyes. Christie’s hyperbolic effervescence and improbable voice. Cord’s true-blue heart and level-headed persistence. Magness’ rich mezzo delivery and saintly patience. Corwin Christie) is engaged to a freelance spy (Todd Webster) who sweet talks her into making a drop – a microfilm of atomic secrets – to a Kremlin plant (Dell Domnik) who is having an affair with the duplicitous Mrs. Trina Magness and Ed Cord get things rolling with a scintillating, pulp-fiction dialogue that sends us back to the early ’50s. Then life interrupts with the murder of a Soviet spy, and the game is afoot. She’s got him on the wagon, and he’s bought a pair of tickets on a honeymoon cruise to Havana. Maggie, a high-heeled flatfoot, and Frank, a flat-topped G-man, are good for each other. There’s all that and more in Firehouse Theater’s regional premiere of Michael Hollinger’s “Red Herring,” a film noir, Cold War spy-thriller send-up directed by Christopher Leo at Colorado Free University’s John Hand Theatre (in the new Lowry). The dialogue must be smart and snappy a breakneck pace of antics, mistaken identities and misunderstandings must be maintained the blackouts must be minimal and the actors must deliver a seamless series of multiple characterizations, changing their costumes and their attitudes in the time it takes to move a couple of set pieces and advance the lighting board. "Thank you to this wonderful theater for providing an amazing venue with amazing people to produce amazing works of art.Digital Replica Edition Home Page Close MenuĪ good farce is the rarest of theatrical achievements. I talked about the show non-stop on the hour and a half drive home and still am thinking "Thank you to this wonderful theater for providing an amazing venue with amazing people to produce amazing works of art. Important side note, kudos to the crew for the fluidity and mutual trust in keeping the shifts tight." Use of the projector (which I will be stealing in my own shows) and how location could be changed This production has many amazing values from the constant videos during set changes, a short film creatively shot to grab the audience, and music that underscored methodically. “Red Herring” is your basic plot of murder, romance, interchanged identities, . The cast along with director, John Gawlik, produce a rip roaring show that left my sides split. The “cheesiness” factor was through the roof and I loved it. "Predictable dialogue, recognizable plots, stereotypical whodunit voices, and characters that have been seen throughout the ages.and this is exactly what I wanted. Nobleįool's excellent execution of "Red Herring" is a rich comic dish worth savoring." Morris and her stylish period costumes, John Horan's moody lighting and designer Dan Conley's dock-sized unit set that is accented by Liviu Pasare's films and projection design." "Everything in Noble Fool's "Red Herring" looks wonderful, too. "Audiences who find themselves in a continual state of laughing bliss during Noble Fool Theatricals' "Red Herring" probably won't care about a couple of discernible faults in Michael Hollinger's Cold War-set Noble Fool's 'Red Herring' reels in the laughs!
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